Sunday, 15 February 2009

The Art Of The Tease.

"Publicity is selling what you have: the film’s stars and sometimes its director. Marketing, very often, is selling what you don’t have; it’s the art of the tease."

No, marketing is the art of making sure that what you have is easy to sell.

Thursday, 12 February 2009

Let Your Product Do The Talking.


Tonight, because I know a friend who works for the production company, I was invited to a preview screening of a new television series, Free Agents, followed by drinks and canapes. I wasn't going to blog about it here - it takes more than canapes and good company to buy me - but the more I reflected upon it, the more I was impelled to write.

Not because I had the pleasure of watching two episodes of a remarkably tightly scripted show that was uniformly well acted and filmed and which I would recommend unreservedly, but because I had been led to believe I was going to see a comedy. That "branding" made me focus on how often I and the rest of the audience were laughing and the answer was not that often. Don't get me wrong, I laughed outwardly and inwardly on many occasions, so did the rest of the audience, but no-one did so perhaps as often as one would expect of a comedy.

There's a simple reason for that - this is so much more than just a comedy (and I write that as a huge fan of comedy). The point is that categorisation can be bad marketing and by labelling this a comedy rather than just a really intelligent piece of entertainment, a dissonance was created for me and, to a lesser extent, for some other audience members with whom I compared notes over canapes.

The message is not a new one. It's the audience/customer who decides what something means to them. Good marketing is categorically not about telling them what to think. You don't use short-hand to create your product/service, so why sell it short with lowest common denominators when you come to market it? If you believe the world is increasingly media literate, then why not treat it as such?

If you live in the UK, I urge you to watch Free Agents on Channel 4 on Friday at 10 p.m. and while I guarantee you will laugh, I'll be really interested to know if you would describe it as a comedy when you recommend it to your friends.

Wednesday, 11 February 2009

A Sale Is Not Just The Transaction.


Don't know who is more at fault here. The media owner/train company for daring to sell advertising space that is not a clean slate. Or the media buyer for not assuming to check exactly what they're buying.

Monday, 9 February 2009

What Customers Really Think (NSFW).


Just count the number of marketing mistakes that The Onion nails in two minutes. But only if you can tolerate Christian Bale-esque language. Headphones advised.

Saturday, 7 February 2009

Collaboration Costs.

Since technology has made it easier than ever for people to talk about your product/service, it’s important for marketers to consider how best to facilitate this. Not so much in terms of organised incentives or seeding schemes, but in terms of the mechanics of shareability. This was emphasized to me when Angus highlighted this Barclaycard competition derived from their TV advertisement.

Not knowing what it was, I enjoyed it – until the final shot revealed that, as so often online, I’d not been watching remarkable amateurs but professionals with a budget. The idea is good one, but is it something that people would try to imitate and thereby spread?

There’s a trade-off between impact and achievability, between shareability and the participation that leads to shareability. You want to make the impact notable enough to pique people's interest, but not so overwhelming that nobody feels able to match it. If you set the standard too high, will people be dissuaded, challenged or choose to satirise? I'll be intrigued to see what sort of entries they get.

Wednesday, 4 February 2009

Event Surplus.


Oh look! An advertisement that utilises a busy station as the canvas for an event. How long is it since we saw that? Yes, as regular advertisements are increasingly ignored, there will be a rise in "event" marketing. But one thing is being overlooked.

Event [ i vént ] noun

Definition:

1. important incident: an occurrence, especially one that is particularly significant, interesting, exciting, or unusual


The more "events" marketers create, the less eventful they become. People are already struggling with cognitive surplus. They're going to recognise and zone out "event surplus" very quickly.

Tuesday, 3 February 2009

The Elevator Pitch 2.0.


Late Tuesday night, about 10.30, Stephen Fry gets stuck in a lift in London. He informs the Twittersphere with a tweet and this photo. In the half hour before engineers release him and his fellow captives, #frylift becomes the top item on Twitter with something like 500 separate comments posted. The two photos he uploads are viewed over 15,000 times in 15 minutes and the national press harvest the feeds for their early editions. A very successful comedy writer even manages to contribute his own spoof.

A trivial event. Yes. A geeky obsession. Yes. Irrelevant to the rest of us. No way. Technology has changed the rules and if any marketer out there thinks they can get away with the slightest distortion of the truth, exaggeration of a claim or defence of the indefensible, they better start looking for a new career. It's not about hiding the truth any more. It never really was. But, these days, there's nowhere left to hide.